After writing my post on my tattoo plans, I started searching for more photos of tattooed women from back in the day. Obviously it was not the done thing at the time and the tattooed lady was a regular feature of the travelling freak show. Luckily times have changed but I can’t help but wonder what these women were like and why they chose to get tattooed.
Tattooed older folks also help to rebut the oft-used argument against getting tattoos: “That tattoo looks good now but it will look horrible when you’re old!” In fact, the tattooed elderly look pretty darn awesome.
After enjoying the fashion in Grand Hotel I was curious about the designer behind the costumes. It turns out a rather prolific designer made the gowns in that film. He was known simply as Adrian and born in 1903. He started out at the New York School for Fine and Applied Arts and later went to study at the Paris campus of his college. There he was asked by Irving Berlin to design costumes for Berlin’s Music Box Revue.
Adrian got his first break in Hollywood after being hired by Rudolph Valentino’s wife to design costumes for The Sainted Devil in 1924 (a lost film).
In 1928 he moved from Paramount to MGM, where he stayed for the rest of his career, designing costumes for over 200 films. He made costumes for many of Greta Garbo’s films including Queen Christina, Anna Christie and Anna Karenina.
Do a Google Image Search for Joan Crawford and you’ll be flooded with pictures of her in floor-length gowns. Pick any one and chances are Adrian designed it since he made costumes for 28 of her films. She was a stunning model…
He also dressed Jean Harlow in the sexy bias-cut wonders she was famous for.
Katharine Hepburn’s gown in The Philadelphia Story is also an Adrian creation.
But his most famous costumes are undoubtedly those in The Wizard of Oz!